op 'n stoel in 'n krit het die woorde "inquiring 'iets'" gestaan. in my kop deur my oë het ek 'dolphin' gelees. "hmm", het ek gedink, "dit klink vriendelik." TADA!!! my blog se naam... in case you were wondering.
Saturday, 21 April 2012
Friday, 13 April 2012
Monday, 9 April 2012
Ectoplasm
Ectoplasm is a term coined by Charles Richet to denote a substance or spiritual energy "exteriorized" by physical mediums.
an absolute hoax but i love the shots they took
an absolute hoax but i love the shots they took
Grayson Perry
Sunday, 8 April 2012
Nicholas Hlobo
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It's hard to figure out what the giant piece of art is, as it slumbers in front of you. The large-scale sculpture Ingubo Yesizwe by this year's Standard Bank Young Artist for Visual Art, Nicholas Hlobo is now on exhibition at the Michael Stevenson gallery in Woodstock, after traveling the great seas and back again.
The sculpture was the centrepiece of Hlobo's exhibition at Tate Modern, London, which ran from December 2008 to March 2009 in the Level 2 Gallery. Made of leather off-cuts, rubber, ribbons and gauze, with an underlying steel structure, the work resembles a great, slouching creature, measuring 30 metres from its head to the tip of its long tail.
The title of the work, Ingubo Yesizwe, translates as 'clothes or blanket of the nation', referring to the Xhosa ritual whereby cowhide is used to cover a corpse before burial to protect the deceased as they enter the afterlife. The Tate Modern exhibition curator, Kerryn Greenberg, wrote: 'Ingubo Yesizwe implies protection, integration, and the potential for transformation, both of the materials Hlobo uses and the country he lives in.
The sculpture was the centrepiece of Hlobo's exhibition at Tate Modern, London, which ran from December 2008 to March 2009 in the Level 2 Gallery. Made of leather off-cuts, rubber, ribbons and gauze, with an underlying steel structure, the work resembles a great, slouching creature, measuring 30 metres from its head to the tip of its long tail.
The title of the work, Ingubo Yesizwe, translates as 'clothes or blanket of the nation', referring to the Xhosa ritual whereby cowhide is used to cover a corpse before burial to protect the deceased as they enter the afterlife. The Tate Modern exhibition curator, Kerryn Greenberg, wrote: 'Ingubo Yesizwe implies protection, integration, and the potential for transformation, both of the materials Hlobo uses and the country he lives in.
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visual diary
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Thoba, utsale umnxeba” (2010) Nicholas Hlobo’s handmade costumes serve the function of helping to establish his character within his performance pieces. In the piece above, the title of which means “to lower onself and make a call” in Xhosa, Hlobo wears his robe and cap in meditative concentration in order to communicate with “the space, the museum, the gallery, the location of the museum, the culture — the culture is almost foreign to me,” as he says in a interview. Hlobo’s practice includes sculptural pieces which sometimes incorporate clothing as ways to challenge or interrogate gender, sexuality, and culture and relationship of each to different notions such as comfort, pleasure, or protection. |

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ingubu 1 |
tart card - Ian Wright
Tart cards are the means by which many London prostitutes advertise their services. Step into almost any central London phone box and you can contemplate up to 80 cards inviting you to be tied, teased, spanked or massaged.
Even if a police crackdown, the internet and the increasing use of mobile phones suggest their days are numbered, tart cards are still so pervasive they are now regarded as items of accidental art and have something of a cult following. Once on the periphery of design, tart cards have influenced the work of many mainstream artists such as Royal Academician Tom Phillips and Sex Pistols designer Ray and Nils Stevenson.
Even if a police crackdown, the internet and the increasing use of mobile phones suggest their days are numbered, tart cards are still so pervasive they are now regarded as items of accidental art and have something of a cult following. Once on the periphery of design, tart cards have influenced the work of many mainstream artists such as Royal Academician Tom Phillips and Sex Pistols designer Ray and Nils Stevenson.
Thursday, 5 April 2012
Salvador Dalí, The Ship, 1943
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